I just learned about Tim Wise a couple weeks ago. Watching the above immediately reminded me of “somatic analogies” (below).
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I just learned about Tim Wise a couple weeks ago. Watching the above immediately reminded me of “somatic analogies” (below).
Read the rest of this entry »
Here’s the word, I won’t ask why:
It all started yesterday with
Senbei’s Shikata Ga Nai (V.II)
I know I’m sick and I need
to get up early tomorrow and work
from first light until day’s end.
But I’m going to sleep more soundly
and work harder having heard
what I’ve heard tonight and
shared it with anyone willing
to read and wanting to listen.
So check it out:
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As much as I like (make that LOVE) my new job…I have deep-seeded philosophical objections to spending hours of day in an office, in front of a computer. As opposed to, in direct interaction with communities of living organisms in an environment not wholly manufactured by us. Many of my poems grapple with technology and its role in industrial societies as a(n often unnecessary) mediator interactions between self and other. Yes, we use it to break down barriers. And it also constructs new barriers, creates new forms of intense alienation, corrupts our priorities and distorts the way we perceive and think about and ourselves and others. Plus, so much of it is just…crap. But whatever. Here we go…
My cousin and his fellow Alphabet Stew collaborators promoting their new album, Mentil Soup. It’s as action-packed and exciting as any KBOO interview I’ve ever heard
An over-reaction to a rejection that happened years ago. It was a messy process where the rejection was no more than implied (on her part) and inferred (finally, on my part) without much any clear communication in between. Not a confidence booster (yes, some rejections are!). It’s hard to not feel like a creep sometimes, and situations like this don’t help things. Although I did learn from the process that I am no good at inferring implied messages…
This poem marks the beginning of a period of decidedly romantic (in the historic sense of the word) melodramatic dabblings. In my defense:
For a while I’ve had some concept sketches I was never satisfied with, until I completely scrapped them and started over from scratch, keeping only the general topic/subject matter intact. This is an example of that process. The rewrite is first, inspired by feelings I had after a very nice meeting and long conversation on the previous day (hence, the name…); the older poem is second. They ended up being completely different stylistically, and I think they speak to two different audiences, from two different versions of me. Enjoy.
This poem is part two of a poetic dyad about the transition from 1. fall into winter and then 2. winter into spring. It’s probably also an emotional allegory. I don’t remember the specific context…only that I wrote it after a frustrating argument with a loved one.
This is one of my more recent poems. It is directly inspired from a conversation with someone who lives across the continent from me in Canada. One of her reactions was, “Do people really say, “y’all”?” Yup. I live outside of any city limits and I grew up surrounded by farms: horses, cows, crops. I collected eggs from the chickens as part of the morning chores before school. I have a rural “y’all,” but there are also plenty of folks with an urban “y’all.”
The conversation was about success, failure, lessons learned and processing recent advice given to me by an academic advisor, activist and mentor: “First, do no harm.” Simple, but perhaps something that we all struggle with. But ’nuff said. To the poem…
poem: free trade 071609
September 22, 2009Sex service users create the demand that moves pimps to provide supply women and young girls. Without demand, there would be no pimp, no sex slave. We need to go after the users, most of whom are men, many of whom are white and/or economically privileged. ’nuff said…here’s the trick…
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